I don't want to be in an art bubble.

The idea of making audiences feel like they matter, that the theatre matters, and that they're a partner in the event—that's what fuels me as a director . . . I believe it's actually radical to think about the audience.

Creativity is a form of knowledge.

At the core of what I'm doing is a belief in the audience, a belief that populism doesn't mean dumbing down theater, but rather giving the audience a voice and a role in experiencing theater.

The musical theater is a glorious and distinctly American innovation in the history of theater.

Im always interested in looking - historically - at how theater can animate history and how all of that can make us engage with our lives in an enriching way.

I had to drop a boulder to wake people up about the A.R.T. We've done that, and now we have audiences again who want cutting-edge work, who want to be challenged, but who also won't be falling asleep at the theater.