It's more than just a dress; it's a spirit. The wrap dress was an interesting cultural phenomenon, and one that has lasted 30 years. What is so special about it is that it's actually a very traditional form of clothing. It's like a toga, it's like a kimono, without buttons, without a zipper. What made my wrap dresses different is that they were made out of jersey and they sculpted the body.

Eighteen months before I was born, my mother was in Auschwitz. She weighed 49 pounds. She always told me that God saved her so she could give me life. I was born out of nothing.

I was a very young girl and I got into fashion very much by accident, wanting to be independent. What was wonderful was that while I was learning and discovering - learning about the work, discovering myself as a woman - I was allowing other women to feel the same way.

I'm not the only one; most people's mothers are the most influential person in their life. But my mother survived the camps, and she was very strong. She made me strong, but she wanted me to be strong. That's more important.

I didn't really know what I wanted to do, but I knew the woman I wanted to become.

Clarity is the most important thing. I can compare clarity to pruning in gardening. You know, you need to be clear. If you are not clear, nothing is going to happen. You have to be clear. Then you have to be confident about your vision. And after that, you just have to put a lot of work in.

I wanted to be an independent woman, a woman who could pay for her bills, a woman who could run her own life - and I became that woman.