You can really do some clever editing even within the limited two-track format.

The mindset of the people who put the shows on and those who go buy a ticket is so fundamentally different. The band themselves don't have a sense of things, and I found this out after a lot of years of pain and frustration.

I want everyone to be able to have the same experience through the music as me. It's important to get it out.

I'm swamped with input. I want input, but I am so far behind on what I got here that I can't keep up with what people are sending me.

I am amazed and thrilled and unbelievably proud about my team's performance.

I don't have an agenda. I don't have things I want to get to or something. I have like a broad, slim grasp of certain periods and certain shows within that period, an awareness of them, but they demand re-listening. I have a flimsy grasp of all the eras and ideas within each period of what would be a good show to think of.

I'm the proverbial kid in the candy store. I'm a guy who is lucky enough to have been chosen to turn his compulsive hobby into a profession. If I didn't have my job, I'd be doing almost the same thing for free.