I think that electronic music mirrors the complexity of "information landscapes." You carry the terrain in your mind.

So, one, that DJ Spooky is a lot you know this sort of wilder persona and then Paul Miller is more of a nuts and bolts kind of person, meaning just making sure all these things work.

I'm passionate about the fact that this world that we live on is a stunningly beautiful place we have despoiled at every level.

I think science fiction and sound is a really interesting thing. You might as well think of it as sonic fiction.

I think that the audience intuitively understands the idea of sampling and remixing stories. That's why electronic music is global.

In fact, if you look at the root word of phonograph it just means phonetics of graphology, phono-graph, writing with sound, so graphology. You know graffiti, same root word.

So he [Sigmund Freud] called this "the uncanny" and he also referred to cities as well, like the idea of walking through the city and the way the urban landscape could lead you to a sense of disorientation and to a kind of, you know, sense of repetition. And the way a city can unfold as you walk.