You'll get this kind of psychological relationship to the imagery of the music, but that idea is translated to iPhone apps. It's translated to the small, you know, kind of icons on your computer. You name it.

I like the idea of it as a trickster motif. You know like you're kind of just messing around with people's memories of songs.

There is a complexity and layering that goes on with this kind of thing, so the music is slightly repetitive and when I say repetitive it's in the same tradition as people like Steve Reich or Erik Satie or even WC.

We live in a world so utterly infused with digitality that it makes even the slightest action ripple across the collection of data bases we call the web.

The easiest thing I can say is simple, but paradoxical in this era of total sampling: Be original.

It's strange to think that culture is simply a matter of millions of files flying around, but we now think in terms of networks for everything.

I was never planning on being a musician. It's basically a hobby that sprawled out of control.