I wanted to do is kind of invoke that and then dive into that kind of repetition as a DJ thing because DJing you hear beats, like "boom, boom, boom, bap, bap." You know hip hop, house, techno. So how do you translate between those electronic motifs and the motifs of the landscape itself? That is what I wanted to go for.

I'm passionate about the fact that this world that we live on is a stunningly beautiful place we have despoiled at every level.

So he [Sigmund Freud] called this "the uncanny" and he also referred to cities as well, like the idea of walking through the city and the way the urban landscape could lead you to a sense of disorientation and to a kind of, you know, sense of repetition. And the way a city can unfold as you walk.

I usually am very specific about how I engage information, how I engage people, what context I'm engaging and, above all, the research that goes into each of those.

You're only as good as your record collection.

The idea of a visual icon that gives you a sense of information very quickly and that you can easily just say "That's what the style is."

Sleep is crucial and I tend to find when the sun is shining I find it much more difficult to get that sense of sleep.