He stood staring into the wood for a minute, then said: "What is it about the English countryside — why is the beauty so much more than visual? Why does it touch one so?" He sounded faintly sad. Perhaps he finds beauty saddening — I do myself sometimes. Once when I was quite little I asked father why this was and he explained that it was due to our knowledge of beauty's evanescence, which reminds us that we ourselves shall die. Then he said I was probably too young to understand him; but I understood perfectly.

My hand is very tired but I want to go on writing. I keep resting and thinking. All day I have been two people - the me imprisoned in yesterday and the me out here on the mound; and now there is a third me trying to get in - the me in what is going to happen next.

Thinking of death--strange, beautiful, terrible and a long way off--made me feel happier than ever.

a loss of sensibility follows a loss of innocence, at once a penalty and a compensation.

I could hear rain still pouring from the gutters and a thin branch scraping against one of the windows; but the church seemed completely cut off from the restless day outside--just as I felt cut off from the church. I thought: I am a restlessness inside a stillness inside a restlessness.

I could marry the Devil himself if he had some money.

They call them the haunted shores, these stretches of Devonshire and Cornwall and Ireland which rear up against the westward ocean. Mists gather here, and sea fog, and eerie stories. That's not because there are more ghosts here than in other places, mind you. It's just that people who live hereabouts are strangely aware of them.