There's this exhausting energy from you getting your lines out and your words right, especially if it's a complicated scene. And as soon as the camera is off you and goes on the other person, you're talking garbled garbage and you feel so sorry for them because you've lost the will to live, after 18 hours of saying those lines. That's terribly unfair. So, I do love the quick-paced nature of it.

I look like a turnip with hair in the morning!

The truth is lots of films are made, the majority of which are terrible.

I have always worked from that place, that if you are going to inhabit someone and get under their eyes, you need to have empathy.

You want to know if anyone's going to go see your film. You shouldn't worry about it or get hung up on it. So yea, you kind of monitor it.

I remember, as a young man, wanting to experience a car going at those speeds and being visually nourished by something which I loved so much. And I wanted to race fast cars and have a good time.

You never know really what anyone thinks about you - that's why all my closest friends are ones I've had since my schooling days when I was 5. And I surround myself with people who I trust and who know me.