I would love an old classic car, or something like that. I'd get something much more subtle than any of those cars. The Lamborghinis were unbelievable to drive and to sit in and to film in. I loved the sensation because I love driving, so I appreciate them for what they are. But, I couldn't go into a showroom and buy something of that expense.

I think you grow up wanting to be a racing driver. Then it dawns on you that it's not going to happen.

I'm sure everyone feels this way, but it's hard to have a proper opinion of yourself or how things are or how you expected them to be or how far removed they are from how you expect them to be. On the one hand, you're extraordinarily grateful and terribly excited, but on the other, I stop and go, "I wonder what the future does hold."

You're taking big risks doing comedy, because ultimately, you're trying to be funny. If you're not funny, you look like an idiot. You have to be prepared to look like an idiot, so you need to have confidence in the man at the helm of it all. You have to take a massive leap of faith and be daring and bold with your choices. It always makes for better work I think.

I'm always in awe of directors because they're just holding so much stuff in the air. They've got so many decisions that they need to be making and they have to have the complete overall look of what the piece of artwork is.

I look like a turnip with hair in the morning!

I'm really into tennis. Because of the traveling, standing in front of a mirror and lifting weights in a gym makes me feel putrid. I'd rather do something that's physically tough and mentally stimulating.