I would love an old classic car, or something like that. I'd get something much more subtle than any of those cars. The Lamborghinis were unbelievable to drive and to sit in and to film in. I loved the sensation because I love driving, so I appreciate them for what they are. But, I couldn't go into a showroom and buy something of that expense.

I would like to do any way possible that Howard Stark can make a return. He's such a fun character to play, and I really believe that he could make quite an exciting character to watch more of. The flawed entrepreneur, the kind of crazy playboy, from that era is an exciting concept.

There are probably only a certain number of people who can understand or tolerate how long a job will take and what demands it puts on you. And why should they? It breeds a strange kind of selfishness immersing yourself in a character for so long.

You want to know if anyone's going to go see your film. You shouldn't worry about it or get hung up on it. So yea, you kind of monitor it.

I remember, as a young man, wanting to experience a car going at those speeds and being visually nourished by something which I loved so much. And I wanted to race fast cars and have a good time.

I'm sure everyone feels this way, but it's hard to have a proper opinion of yourself or how things are or how you expected them to be or how far removed they are from how you expect them to be. On the one hand, you're extraordinarily grateful and terribly excited, but on the other, I stop and go, "I wonder what the future does hold."

I grew up loving cars. It was completely and utterly, without a doubt, my childhood dream. Whether your childhood dream progresses or changes, you turn into a man and you probably shouldn't still have that same dream.