I can easily say "no" to a project if the script isn't great, but when the script is good, then I start asking the other questions. Who's going to direct it? Who's the creator? Who are the actors? When are we shooting? Where is it shooting? All that kind of stuff.

I think a lot of young kids at school are very conscious of trying to keep credibility in case they kind of stand out in a crowd and get bullied by trying to stay cool and stuff. And my whole thing, all the way through school, was I was just a goof... I didn't care.

I could always flip between emotions and be available to suddenly do something new. I think it's a part of playing, and you hang onto it when you're a kid.

My job is to try and present the most fully-rounded character that I can, and bring a performance that people believe in.

I used to get quite upset that I'd make friends with a guy or a girl and then within the space of three years we'd move and go and live somewhere else, and you'd have to say goodbye to that person.

I'm a big fan of the misunderstood, the vilified, the underdog, the breaking of myths.

I was never a big guy in pubs. I was never the main kind of aggressor or anything like that, but I found myself in trouble because I always had a mouth that would come back with something, and there was just never anyone who could make me be quiet.