Here's an interesting thing about L.A. - it's overrun with black widow spiders. I could find you one on the street in 10 minutes.

Television is face acting, and film is eye acting.

I'm in this position where I can afford to wait, I'm lucky enough to be financially secure to not have to do anything that's thrown at me. You know the next couple of jobs are going to be pretty crucial in terms of how you're perceived by people. So I'm just waiting.

One of my jobs as an actor, regardless of who I play - even if I'm playing a despicable character - is to make people think that that character could exist, that he's real, and the way to do that is to make him believable. He doesn't have to be likable or charming, but he just has to be believable. That is someone who I could see on a bus. That is someone who I could walk past in the street.

I like films that deal with some of those questions that you can never answer. Why are we here? What's it about? What happens to us with the choices that we make? What are the ramifications for doing something right, or doing something wrong? Those universal questions, I enjoy.

When I choose projects, I don't stipulate between film or theatre or television. I receive scripts and I read scripts - and when I read a script that's good, I then get married to it and talk to my agent about what happens next.

When I was at college, I worked in a department store called Brit Home Stores, which is a pretty lackluster department store, selling clothes for middle-aged women. My job was to walk the floor and find anything that was damaged, take it to the store room and log it.