No human beings are one-dimensional, and if they feel one-dimensional to you, it's because you don't know them.

I like to work fast and I like to work intensively.

When I choose projects, I don't stipulate between film or theatre or television. I receive scripts and I read scripts - and when I read a script that's good, I then get married to it and talk to my agent about what happens next.

I like films that deal with some of those questions that you can never answer. Why are we here? What's it about? What happens to us with the choices that we make? What are the ramifications for doing something right, or doing something wrong? Those universal questions, I enjoy.

I'm constantly exposing myself to art and that inspires me.

I'd like to go on a hardcore safari in Africa, something off the beaten track with anti-poaching people and camping out in the savannah.

Human beings have a bunch of different dimensions, so even if you're playing someone who you think maybe the audience might not like, might not be going for, you still have to give them the dimensions to make them a real human, otherwise there's no point.