No human beings are one-dimensional, and if they feel one-dimensional to you, it's because you don't know them.

I can easily say "no" to a project if the script isn't great, but when the script is good, then I start asking the other questions. Who's going to direct it? Who's the creator? Who are the actors? When are we shooting? Where is it shooting? All that kind of stuff.

When I was at college, I worked in a department store called Brit Home Stores, which is a pretty lackluster department store, selling clothes for middle-aged women. My job was to walk the floor and find anything that was damaged, take it to the store room and log it.

I'm a big fan of the misunderstood, the vilified, the underdog, the breaking of myths.

I always pick what I consider to be good scripts.

My mom and dad just loved the fact that I fooled around. They just embraced it. They'd always kind of enjoy it, and they liked it when I made them laugh

If you woke up, every day, and someone punched you in the face, for the first week, you'd go, "Why is someone punching me in the face?" But, by the time you got through week two, you'd take it and just go on with the day.