What I'm attempting to do is to show people that if I can spend some time with very dangerous spiders and snakes and scorpions, then maybe they'll feel different about the spiders and snakes they find around their areas. I don't need people to keep them as pets. I just like them to be respectful and see that everything in nature has its place.

I have a natural curiosity about things, in general. I'm constantly trying to find out how things work and how I can put them back together again, and why they work that way. The natural world is all around us.

Human beings have a bunch of different dimensions, so even if you're playing someone who you think maybe the audience might not like, might not be going for, you still have to give them the dimensions to make them a real human, otherwise there's no point.

When I choose projects, I don't stipulate between film or theatre or television. I receive scripts and I read scripts - and when I read a script that's good, I then get married to it and talk to my agent about what happens next.

I won't miss having to stand for two hours at 4:30 a.m. and have freezing cold glue applied to my feet. I won't miss two-hour drives to work or long, long, long days sitting in my trailer waiting...waiting...waiting. I won't miss one day off a week. I won't miss glue in my ears. But I would do it all again tomorrow.

My job, at the very least, doesn't change at all.

One of my jobs as an actor, regardless of who I play - even if I'm playing a despicable character - is to make people think that that character could exist, that he's real, and the way to do that is to make him believable. He doesn't have to be likable or charming, but he just has to be believable. That is someone who I could see on a bus. That is someone who I could walk past in the street.