The studios will go wherever they smell money. It's like sharks to the blood.

Once you work with a studio on a film, the studio is sort of like this enormous clam that just opens, takes everything and then closes, and no one enters again. They own it all.

I think the work that they do and the style of 3D graphics is absolutely fabulous and I think it's a great brush to use for some stories. And there are other brushes that I think are exclusive to a different kind of story.

When business executives are making the artistic decisions and don't understand animation, things can go awry.

It's whatever sells; it's the business of it.

I think we have to bottom out. When the studios jump out of the ring, perhaps the artist can get back in.

You've got to be able to make animation for much less... Less is not the studio's way.