If you look up and no one who's around you has been around you for the past 20 years, and they're all new people, I think that's a problem.

It's great to be in a film that's able to have people really want to become socially conscious, to walk out of the theatre and want to do something.

I've never been a part of a film before that offers such a platform into real issues, that raises social awareness and has the potential to change things.

Once the steam engine went away and we started moving into burning fossil fuels - not just burning them, but everything we do with oil - we've been experiencing [these problems] at an accelerated rate. The scary end-game scenario is getting closer and closer, about what we're going to be able to do to sustain life on this planet as we have come to know it. And I think this is a very real possibility, that we could be dealing with conditions we have no idea how to wrestle with.

But most scripts are terrible. Most projects are bad, that's just kind of the way it is. And I'm not really attracted to those.

Every time I've learned something, I've realized there are a hundred more things I don't know about the thing I just learned.

You should do what you're supposed to do and hope that that ripples out.