The best thing that I learned from the best directors that I worked with is that the best answer wins. They are ego-less when it comes to doing the most important thing.

It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something.

I don't know what would be antithetical to do on the other side, maybe a Tyler Perry movie or something. No, there are very few comedies that live in between that. Or you're doing some kid thing like a Jim Carrey movie with animated something that's like that. Yeah, I've wanted to do them. I like doing them. I did Talk to Me. That was pretty much a comedy.

Comedies are very hard to do. They are difficult. Unless there's the Judd Apatow school, where they're like okay, we know that, we're going to do those. Or unless it's something that's far to the other side.

I think it’s intoxicating when somebody is so unapologetically who they are.

It is the least represented among us who will be the most affected first. We have a moral responsibility to protect them.

I also believe that you are what you have to defend, and if you're a black man that's always going to be the bar against which you are judged, whether you want to align yourself with those themes or not. You can think of yourself as a colourless person, but nobody else is gonna.