But most scripts are terrible. Most projects are bad, that's just kind of the way it is. And I'm not really attracted to those.

I started following the news and seeing what was happening around the world with the polar ice caps melting and temperatures breaking records. I became concerned as an animal on this planet but also as a father.

Every time I've learned something, I've realized there are a hundred more things I don't know about the thing I just learned.

I understand what's it like to work all week and on Friday night just want to go and leave your brain at the door, buy some popcorn and be thrilled by something.

I hate it when, by page 30, I know what the lead's going to do and then what the bad guy's gonna do. Mostly it's just scripts by the numbers where nothing's surprising, nothing's interesting.

It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something.

I think it’s intoxicating when somebody is so unapologetically who they are.