Writing is a form of personal freedom. It frees us from the mass identity we see in the making all around us. In the end, writers will write not to be outlaw heroes of some underculture but mainly to save themselves, to survive as individuals.

The future is always a wholeness, a sameness. We're all tall and happy there,' she said. 'This is why the future fails. It always fails. It can never be the cruel happy place we want to make it.

I am not particularly distressed by the state of fiction or the role of the writer. The more marginal, perhaps ultimately the more trenchant and observant and finally necessary he'll become.

Prayer is a practical strategy, the gaining of temporal advantage in the capital markets of Sin and Remission.

The best moments involve a loss of control. It's a kind of rapture, and it can happen with words and phrases fairly often - completely surprising combinations that make a higher kind of sense, that come to you out of nowhere. But rarely for extended periods, for paragraphs and pages - I think poets must have more access to this state than novelists do.

They passed out of the shade beneath the eaves and flew into sunglare and silence and it was an action she only partly saw, elusive and mutely beautiful, the birds so sunstruck they were consumed by light, disembodied, turned into something sheer and fleet and scatter-bright.

That's how you write novels actually. You suddenly hit upon something and you realize this is the path you were meant to take. You'd be a fool if you didn't follow it. Perhaps it's like solving a difficult question in pure mathematics. There must be a moment when the solution is so simple and evident that you wonder why you hadn't come upon it before. When you do come upon it, you know it in the deepest part of your being. It carries its own logic.