Film is more than the twentieth-century art. It's another part of the twentieth-century mind. It's the world seen from inside. We've come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film. You have to ask yourself if there's anything about us more important than the fact that we're constantly on film, constantly watching ourselves.

Maybe when we die, the first thing we'll say is 'I know this feeling. I was here before'.

Look at those numbers running. Money makes time. It used to be the other way around. Clock time accelerated the rise of capitalism. People stopped thinking about eternity. They began to concentrate on hours, measurable hours,man-hours, using labor more efficiently.

There were moments when she wasn't talking so much as fading into time, dropping back into some funnelled stretch of recent past.

Every advance in knowledge and technique is matched by a new kind of death, a new strain. Death adapts, like a viral agent.

He'd once told me that the art of getting ahead in New York was based on learning how to express dissatisfaction in an interesting way. The air was full of rage and complaint. People had no tolerance for your particular hardship unless you knew how to entertain them with it.

The music I like best is kind of frozen in my mind from the Sixties and Seventies. I still listen to the same jazz music I listened to when I was eighteen years old, and like and admire it just as much.