If an audience finds themselves paying attention to how you made your film, you're sunk because that means they're unplugged from your story. What matters is what's unfolding on the screen, not how you put it there. It doesn't matter if it's red triangles or million dollar software if the audience doesn't care.

It's naturally kind of humiliating and strange to have a microphone; when you're young you just make movies, you don't worry about all the peripheral stuff that comes with it.

To me everyone goes through that at some point in adolescence, you know. There's - you meet someone when you're a young teenager, and they're never right for you, and you always wind up hurting someone on the way to figuring out all this stuff. But it was a fun writing process.

When you get questions that annoy you the art is answering them differently. If you're bored with it, then everyone will be bored with it.

It's one of those things that if I was smart enough to explain it in words, I wouldn't have had to make a movie "World Of Tomorrow" out of it. It's a love letter to science fiction.

Tuesday's coming, did you bring your coat?

Both the writing and the visuals in that sense are very exploratory. It goes back to my rule for myself [in] making it.