The only purpose of the visuals, in any film, is to serve the story.

If you go to a film festival and watch a bunch of features and then watch a bunch of shorts, you will almost always find that the shorts are where people are taking more risks and pushing more boundaries...simply because they have much less to lose.

Usually the more money that something takes to make, the less interesting it's forced to become.

Both the writing and the visuals in that sense are very exploratory. It goes back to my rule for myself [in] making it.

There's really no reason film and digital can't happily co-exist and benefit from one another. Anyone who tells you otherwise is just trying to sell you something.

The design is a really flat primary color with all sorts of abstract geometric shapes, just implying something. And then you'd have your characters running from something with guns. It was very expressionistic.

Fighting a cold, but I'm powering through. As they say, there's nothing better for a cold than doing interviews all day.