Photography isn't about seeing, it's about feeling. If I don't have some kind of feeling for what I'm shooting, how can I expect the person who looks at it to feel anything?

I feel shabby - because I've made a name, quite a good name, out of photography. And I still find myself asking the same questions: Who am I? What am I supposed to be? What have I done?

I think, the more of a student I am, the better it will be for my work because it means once you have too many accolades you don't try harder. I would never allow myself to think that I don't have to try harder. I like the idea of always learning, always trying to do better. The word "master" sits uneasy on my terms.

Beauty is a dangerous word. Beauty becomes slightly indulgent for me. It's a snatched kind of moment for me because I'm entitled to a nice day in my life but beauty creeps close to narcissism, which I really dislike, particularly in human beings who were born with good looks, who cash in on it. It's a bit of a dodgy word for me. I look at it with caution. It can be a bit like walking into quicksand; it can get you in to all kinds of trouble.

You cannot walk on the water of hunger, misery, and death. You have to wade through to record them.

Sometimes it felt like I was carrying pieces of human flesh back home with me, not negatives. It's as if you are carrying the suffering of the people you have photographed.

Photography's a case of keeping all the pores of the skin open, as well as the eyes. A lot of photographers today think that by putting on the uniform, the fishing vest, and all the Nikons, that that makes them a photographer. But it doesn't. It's not just seeing. It's feeling.