Smart people sometimes get stupid, but stupid people never get smart.

It's important to me that the reader goes on a ride with the characters, that you set context enough to know, "Okay, here's where we are in the world. Now we're just going to go inside this person's head, this guy's heart, this woman's ambitions and take it down to very, very small scale."

That sounds like Anthony Soprano. He has a point. I've said it before: if you're black and you sell dope, you end up in the big house; if you're white and you sell a large amount of dope, you end up visiting the White House. So it's a matter of race and it's a matter of scale, frankly.

How much more money do we have to waste, how many more families have to be destroyed, how many more people have to be killed before you summon the courage to tell the truth to the American people?

You watch Jeff Sessions testifying in front of Congress, Jesus, like watching an amnesiac: "I don't recall," "I don't remember," "I don't recall," "I don't remember," "I don't remember what I don't recall," "I recall what I don't remember." Amazing.

I think you can use fiction to get inside people's minds.

Shane Salerno and I adapted my book Savages together, and I learned a lot about adaptation. I think it's an extremely difficult thing to do; adaptation might even be more difficult than writing an original screenplay. It's so much a matter of choices, making choices of what to leave in. It was an education.