[Rubinstein was] a fountain from which music spouted, not a recitalist.

The more disastrous the mishaps the simpler the reviewing task.

Miss Petrowska,an excellent pianist, held the audience transfixed with Chou Wen-chung’s work. Miss Petrowska was coolness itself in getting the hardware into the piano and out again…in Messiaen, a feeling for the music’s reverent sobriety combined to produce an absorbing performance.

Real folk music long ago went to Nashville and left no known survivors.

[Rubinstein was] a fountain from which music spouted, not a recitalist.

The human brain can soften as a result of incessant listening to music with an intent to commit prose.

The irrepressible spirit that made his playing seem like good conversation is the Rubinstein legacy for pianists, if they can pick up their heads from the keyboard long enough to claim it.