I love not feeling this hydraulic pressure that you have to create this comic moment within every scene. You can just play it as it is.

I feel quite blessed that I can actually balance between the two worlds, because a lot of really talented actors I know end up getting set in a certain category and no one will ever buy that they can exist outside that category, even though you know full well that they can.

One thing that's interesting is that whenever something starts, like the school year when you were a kid, it feels like such a significantly huge time in your life and how much life has changed. What's surprising is how quickly it's going by.

I've played some good villains, in the last few years. I'm good where I'm at. But it is fun playing villains, for sure.

Every once in awhile, when you can see shades of the person's real interior life, I think that's interesting.

I did a pilot for HBO, called One Percent, that they didn't end up picking up, but it was a pretty intense and dramatic piece.

I have to say that it was a thrilling ride to be on 'Terriers.' It was this odd circumstance where it was really loved by the people it was loved by, but it didn't do well. In fairness to FX, they were just so generous in keeping it on the air the whole year.