Then I did The Tao of Steve and that was at Sundance in 2000 where it did really well.

Once a film is made and it exists, someone somewhere is going to watch it and that is kind of the magic of it all.

I love not feeling this hydraulic pressure that you have to create this comic moment within every scene. You can just play it as it is.

There was something about that form of comedy that's just difficult. It never really felt like you could just fully commit to all the colors that you carry with you.

The easiest and most accessible emotion is rage.

I felt like 'Life' was a great show. It was really well-written.

As the season progresses, it's like the doors open up to all the different worlds that were teased about in the pilot.