Then I did The Tao of Steve and that was at Sundance in 2000 where it did really well.

A college football star, by his senior year, is used to running out there with 110,000 people going nuts. They feel comfortable in that environment. To me, a set feels like that. The one thing that I do know is that, as long as I'm prepared, I know this environment and this world.

I don't know why I don't watch the Oscars. It's not bitterness or anything; it just seems weird.

Then I did The Tao of Steve and that was at Sundance in 2000 where it did really well.

I love not feeling this hydraulic pressure that you have to create this comic moment within every scene. You can just play it as it is.

I remember working on movies like Gettysburg and feeling that Jeff Daniels was kind of a mentor.

One thing that's interesting is that whenever something starts, like the school year when you were a kid, it feels like such a significantly huge time in your life and how much life has changed. What's surprising is how quickly it's going by.