Then I did The Tao of Steve and that was at Sundance in 2000 where it did really well.

There's a certain kind of existential freedom that comes to people who realize that all the things that they hold onto and that they think define them, once they're gone, there's this new freedom to determine the way you're going to live your life.

I have to say that it was a thrilling ride to be on 'Terriers.' It was this odd circumstance where it was really loved by the people it was loved by, but it didn't do well. In fairness to FX, they were just so generous in keeping it on the air the whole year.

I have 52 first cousins. My mom and dad were the only two to move to North America, so I've got deep family there, but I'm a California kid.

The desert feels Irish in a way - lonely and barren. If someone said, 'Think of a happy place for you,' I'd say a glacial plane near the South Pole, the wind howling, nobody in sight, a shack with a pot-belly stove and some tea.

There was something about that form of comedy that's just difficult. It never really felt like you could just fully commit to all the colors that you carry with you.

A college football star, by his senior year, is used to running out there with 110,000 people going nuts. They feel comfortable in that environment. To me, a set feels like that. The one thing that I do know is that, as long as I'm prepared, I know this environment and this world.