Here in Seattle, I'm the most productive I've ever been. I don't allow myself personal distractions. I'm extremely disciplined here.

My concerns have been about myself and not about giving something back and putting something in, even though that's been in the back of my head.

It's an incredible dilemma to be an artist of color and to always be in denial about that, saying, 'I'm a choreographer first and then I'm black,' when in fact, that's not the case. I'm black first and then I'm also a choreographer.

I was being ridiculed for going to school... But, you see, I had looked hard at the other musicians and the whole show-business scene... They were doing with jazz musicians what they usually reserved for rock n' roll cats: making them overnight successes, then overnight antiques.

My work sometimes can be abstract and appear not to have a direct relationship to Afro-American concerns, but, in fact, it is based on that.

I can take any series of numbers and turn it into music, from Bach to bebop, Herbie Hancock to hip-hop.

I'm creative; I'm not re-creative.