Opposites are attracted when each one is anxious about its own character.

In football they measure forty-yard sprints. Nobody runs forty yards in basketball. Maybe you run the ninety-four feet of the court; then you stop, not on a dime, but on Miss Liberty's torch. In football you run over somebody's face.

For most baseball fans, maybe oldest is always best. We love baseball because it seizes and retains the past, like the snowy village inside a glass paperweight.

Each year the big garden grew smaller and Jane - who grew flowers by choice, not corn or stringbeans - worked at the vegetables more than I did. Each winter I dreamed crops, dreamed marvels of canning . . . and each summer I largely failed. Shamefaced, I planted no garden at all.

But Blake's voices returned to dictate revisions.

Every now and then I meet someone certain of personal greatness. I want to pat this person on the shoulder and mutter comforting words: "Things will get better! You won't always feel so depressed! Cheer up!"

Work is style, and there is style without thought; not in theory, only in fact. When I take a sentence in my hand, raise it to the light, rub my hand across it, disjoin it, put it back together again with a comma added, raising the pitch in the front part; when I rub the grain of it, comb the fur of it, re-assemble the bones of it, I am making something that carries with it the sound of a voice, the firmness of a hand. Maybe little more.