Well, there's a morality in that you want your work to be good, I suppose.
I think most of the art now is involved with a denial of any kind of absolute morality, or general morality.
Color, to continue had to occur in space.
Well, in any art there are a lot of technical things that you can get to like.
But I think that's a particular kind of experience involving a certain immediacy between you and the canvass, you and the particular kind of experience of that particular moment.
And then we moved to New Jersey and I went to the Art Students League.