I think, in the grand epic, Jesus is the hero of our stories. And our stories, as they were, are subplots in a grand epic and our job is not to be the hero of any story. Our job is to be a saint in a story that he is telling.

Christ, in short, asks us to give everything, all our false redemption in the lifeboat, all our false ideas about who God is, all our trust in something other than God to redeem us. In so doing, we die to our broken natures in exchange for His perfect nature, and find unification with Him that will allow God to see us as one.

If you have a beautiful story, it has to have conflict. If you don't have conflict, it can't be a good story.

Somehow I had come to believe that because a person is in need, they are candidates for sympathy, not just charity. It was not that I wanted to buy her groceries, the government was already doing that. I wanted to buy her dignity. And yet, by judging her, I was the one taking her dignity away.

Before I studied story, I was trying to write a novel, and it was terrible. It wasn't going anywhere, and I couldn't figure out what I was trying to do. It was really hard; much harder than I thought it was going to be. Now that I've studied story, I think I'd have a different approach and maybe I could actually get it done.

I always thought the Bible was more of a salad thing, you know, but it isn't. It's a chocolate thing.

Much of the time I’ve spent trying to impress people has been a waste. The reality is people are impressed with all kinds of things: intelligence, power, money, charm, talent, and so on. But the ones we tend to stay in love with are, in the long run, the ones who do a decent job loving us back.