The process of creation goes on all the time. When I get through, I feel I know what the character will do in every situation. But the building up of the part is not mechanical or deliberate. It grows out of the text.

Loomis has always felt himself responsible for the fact that he did not stop Michael when he first murdered his sister, and so he's got that guilt to live with.

Continental directors, as opposed to British and American, tend to be somewhat high-handed in their approach.

I am not one of those actors who believes he has to live the part he is playing. I can turn it on and off.

John and I had a few meetings about what direction the sequel should take. I made some real insane suggestions. True to what you'd expect, he ignored them all and just picked up Halloween II where the original left off.

I believe you can frighten people without showing their heads caved-in.

All the real work is done in the rehearsal period.