All the real work is done in the rehearsal period.

I do not use any set methods, not even The Method. The character after all is in the lines.

At the end of the first Halloween, when I shot 6 bullets into Michael Myers, John Carpenter said, Let's get a shot of you looking out of the window and seeing no one lying there.

I'm hardly physically right for the hero parts, now am I?

Loomis has always felt himself responsible for the fact that he did not stop Michael when he first murdered his sister, and so he's got that guilt to live with.

At this point in my career, it doesn't bother me much that I'm probably hopelessly typecast. I like to work, and horror films definitely keep me working.

What can I tell you about things like Circus of Horrors except that I get killed by the bear?