The biggest influence on my writing, besides snagging some ideas about black humor, was that the paper mill had a program where they paid 75 percent of the tuition and book [costs] for employees who wanted to go to college part-time.

You're always hoping you can attract a bigger audience, but at the same time, I'd hate to give up what I write. If I could write Chick Lit or something like that and make money off it, that'd be great. But I just can't do it.

If a person does this for just a couple of years and discovers that it just isn't for him, that's okay. At least he can move on knowing that he gave it his best shot.

I'm not sure what the proper label might be, or the most accurate one, but someone once called my stuff Southern Ohio Gothic and I thought that was fair.

I've always liked reading books that contain funny lines or situations, and maybe because my work is known chiefly for its violence and misery, I made a more conscious attempt with The Heavenly Table to do that myself.

The biggest influence on my writing, besides snagging some ideas about black humor, was that the paper mill had a program where they paid 75 percent of the tuition and book [costs] for employees who wanted to go to college part-time.

Part of the reason might be that I was born in 1954 and I look upon my youth with great fondness, like many old men. And, though my work doesn't focus much on good things, I see that period as America's heyday. True, we had many problems, like racism and Vietnam, but we still weren't quite as nuts as we seem to be now.