I spent thirty-two years in a paper mill in southern Ohio, and before that I worked in a meatpacking plant and a shoe factory.

Religion can be a good thing, but basically the way I look at it is that it provides a moral code, common sense. But then people distort it and use it as an excuse to be a bully. It's sad, but that's the way it's worked for a several thousand years now.

I really have no idea where the darkness comes from. Other writers have said that there are two subjects worth writing about, love and death; and since I'm a complete flop when it comes to love, I chose death. Too, maybe because of where I came from, I do find it easy to empathise with and write about certain groups of damaged or downtrodden people: the poor, the addicted.

I've always liked reading books that contain funny lines or situations, and maybe because my work is known chiefly for its violence and misery, I made a more conscious attempt with The Heavenly Table to do that myself.

When I started graduate school we did this publishing class where we learned about submitting and read interviews with editors from different magazines. A lot of them said they got so many submissions that unless the first page stuck out or the first paragraph or even the first sentence they'll probably send it back. So part of my idea was that if I have a really good first sentence maybe they'll read on a bit further. At least half, maybe more of the stories in Knockemstiff started with the first sentence; I got it down then went from there.

A lot of people get the wrong impression, think there's something romantic or tragic about hitting bottom.

Probably because I personally knew at least six or seven people in Ross County who died from overdoses in the last three years. The heroin epidemic is just too aggravating and sad and unsettling for even someone like me to live with and think about for the time it would take to write a book dealing with it.