Fundamentally, people are suckers for the truth.

It's a very serious endeavor for me [to play in the same movie with my son]. It's not for a lot of people. It was a wonderful job. I've wanted to do it since I can remember.

I think we're [me and my son] different. He plans, organizes and intellectualizes more than I do. It wasn't until I worked with Federico Fellini that I understood what my problem was.

I thought, "Oh, my god, that's what happens every time I talk with a journalist in the middle of shooting and I talk about my character. I describe him, I objectify him, and I kill him." So, I've never spoken with a journalist in the middle of a film. I don't do the EPK until the very end of a film. I can't talk about Kiefer's process, but what he brings to the table is beautiful.

I have no idea. I get involved because I think there's value in the project and because I love the character that is presented to me. I love the opportunity to examine a character, and to have him examine me, live inside me and move my hands. I love that. It's irresistible. It's a drug.

Why don't you knock it off with them negative waves ?Why don't you dig how beautiful it is out here ?Why don't you say something righteous and hopeful for a change ?

I had a kind of meandering little career, and then I was given a chance to play one of the bottom six in The Dirty Dozen.