I had a kind of meandering little career, and then I was given a chance to play one of the bottom six in The Dirty Dozen.

I'm running out of time, and a Western is America's answer to a Greek tragedy, so that's what we did. [Kiefer] hired Brad [Mirman] to write the script and he had the ideas, and then he and I did stuff on the script to make it a little cleaner to ourselves. And then, we played it. We were just actors working together, and our DNA must have informed it somehow. Certainly, we came out of it purified a little bit.

If Heaven exists, what would you like to hear God say when you arrive at the pearly gates? Oh, you know something? I'm so far away from believing that it exists, and the only thing I know are jokes about it.

I think we're [me and my son] different. He plans, organizes and intellectualizes more than I do. It wasn't until I worked with Federico Fellini that I understood what my problem was.

I am so glad my wife tolerates me. And we have three wonderful sons.

I love grabbing my wife and going to a distant location to film.

I thought, "Oh, my god, that's what happens every time I talk with a journalist in the middle of shooting and I talk about my character. I describe him, I objectify him, and I kill him." So, I've never spoken with a journalist in the middle of a film. I don't do the EPK until the very end of a film. I can't talk about Kiefer's process, but what he brings to the table is beautiful.