It's a very serious endeavor for me [to play in the same movie with my son]. It's not for a lot of people. It was a wonderful job. I've wanted to do it since I can remember.

What the nation's built on is discussion, contradiction and growth, and at the moment you can't discuss anything. If you do start to discuss it, you get criticized. If people hate us, you have to find out why and try to solve that problem.

I come from Nova Scotia, and I'd never seen a theater or been inside of a theater. When I was 17, my dad asked me what I wanted to do, and I said I thought I would like to be an actor. I didn't have any idea what it was to be an actor. None. I'd wanted to be either an actor or a sculptor, which are both essentially the same thing. That's how it all started for me.

But even with no money you could still go to places like the Scotch Club and, you know, John Lennon might be sitting right over there, but I was certainly not a part of any of that circle. I was truly peripheral.

Everything was my fault. I was so dumb. But if I hadn't made the mistakes I made, I wouldn't have met the wonderful woman I've been married to for over 30 years, so I guess that makes the mistakes OK.

I'm running out of time, and a Western is America's answer to a Greek tragedy, so that's what we did. [Kiefer] hired Brad [Mirman] to write the script and he had the ideas, and then he and I did stuff on the script to make it a little cleaner to ourselves. And then, we played it. We were just actors working together, and our DNA must have informed it somehow. Certainly, we came out of it purified a little bit.

We don't have that much time left to do it. I'm 80. I wanted to be Walter Huston to his John Huston. I wanted him to direct me, not in The Treasure of the Sierra Madre, but something. We'll see. We can't predict anything.