It's a very serious endeavor for me [to play in the same movie with my son]. It's not for a lot of people. It was a wonderful job. I've wanted to do it since I can remember.

I have never planned anything. I have been doing this job for over 50 years. I have been paid to work with some wonderful people and it has been a huge gift, to me.

To them though, not to us, we were just a catalyst for their imagination.

I had a kind of meandering little career, and then I was given a chance to play one of the bottom six in The Dirty Dozen.

No, I'm not rich. I had a tax problem in this country, curiously enough, and my accountant said the British government was patently wrong in taxing me, and they were, but we couldn't persuade them and it cost me everything I had.

When you shoot a film, when it was film, there used to be rushes and normally a director would look at them the next day. All directors look at the rushes, except for Fellini. I asked him why he didn't and said, "Because it interrupts my fantasy." What he was trying to say was that he had a three-dimensional, vibrant, living, volatile fantasy going on in his head, and when he looked at rushes, they were two-dimensional and they killed it.

One measurement is worth a thousand expert opinions.