I always wanted to go against hat grain because it was too restricting.

I always wanted to go against hat grain because it was too restricting.

I always wanted to know what lens they were on, how close they were. I didn't do it with a plan in mind, but I would instinctively gear what I was doing toward what lenses they were using.

I thought it was very important that femininity wasn't lost.

I was always cutting dialogue out when we were rehearsing, and when I produced movies, too. I felt that people don't say things in life - they act, they do things. I always wanted my characters doing, rather than saying what they were doing - which was redundant.

My message is - keep moving. If you do, you'll keep arthritis at bay.

My father was a middle manager at an oil company, but I never knew anything about his work. Whatever business acumen I have just got gleaned over the years.