I always wanted to go against hat grain because it was too restricting.

I was brought up Catholic, and my family is still very religious.

Even colors were important to me. If it was a somber scene, the colors were muted and dark. If it was a happy or seductive scene, the colors were brighter.

I always wanted to know what lens they were on, how close they were. I didn't do it with a plan in mind, but I would instinctively gear what I was doing toward what lenses they were using.

You know, when they called me about the role, I thought Knots Landing was a show about a houseboat with Andy Griffith!

I'm back to doing everything I used to, loving life as ever.

I always wanted to go against hat grain because it was too restricting.