I went to visit a friend of mine, a writer name Troy Seal, a songwriting fool. He's had a ton of hits. He said, "I've got a thing I'm stuck on." I can hear the wind a blowin' - he already had that. You and me lord, we had it all. He only had that first verse. For some reason he was stuck. But that's how that came about.

As long as you have those brilliant songs, it didn't matter how bad you played, or how bad he sang on 'em sometimes. It was one of those magical things that really worked, and I don't think could ever happen again.

If you're a songwriter, it's to perform your songs. For singers, it's just to get to sing somewhere. So while there may be a reluctance with all the things that go along with it, you got to choose, and this is one of my big opportunities to get back doing it.

I went to visit a friend of mine, a writer name Troy Seal, a songwriting fool. He's had a ton of hits. He said, "I've got a thing I'm stuck on." I can hear the wind a blowin' - he already had that. You and me lord, we had it all. He only had that first verse. For some reason he was stuck. But that's how that came about.

Tom Stafford was an odd character, you know - a brilliant guy. He looked weird and I think he took a really defensive attitude about being a hunchback. You know how people can be, giving him a hard time. So he turned that into a defensive mechanism. He would strike first, a lot of times. But he was a great guy, and really those talks we had when I was about 15, out of all of that came the studio over the drugstore and everything else. I'm not saying - I'm no big deal, but I was a part of the birth of the music there.

I've known just thousands of people a hell of a lot more talented than me who never could get anywhere.

I don't know what the answer is, but I'm very blessed and lucky to have made a good living doing what I've loved to do. I just hope I can do another one after this.