It doesn't matter to me if it has a surprise ending or not. I usually go for the material or the project.

You can't dictate if a character's going to come off as sympathetic to an audience. I just tried to play it as honest as possible.

I'm very much a leader in a lot of the work that I do or that I've done in my career.

If you're playing a fictional character, you can create a character, you can sort of take certain liberties. And when you're playing a real person who's actually standing there watching you, you know, it's - you do feel a weight. You know, you feel an obligation to not only be - to give the best performance that you can, but to make sure that you represent this person.

I'm not a big fan of table reads or sitting around a table and reading a script. I'd rather do it on set and do it for real.

It wasn't until The Sixth Sense that people started saying, wow, man, you're an actor. People didn't think of me as the guy in a band anymore.

In high school, I was one of the cofounders of New Kids on the Block my freshman year in high school. But I also started studying theatre in high school my freshman year as well. So throughout high school, I was actually doing both.