I spent a couple of years doing American films. I did a few.

I always tell younger filmmakers, it's not just about the acting or the art itself. It's about how big of an audience watches your film.

I act according to the requirements of the character, and if I try to play the role, then I play it truthfully. In my daily life, I'm a laid-back, peaceful guy. I'm just doing my job to act.

Action choreographer is like talking. When you talk, you have a rhythm. When you act, you have a rhythm. When you're moving your body, you have a rhythm. So as an actor, as a choreographer, the objective is trying to blend everything in - into - ultimately back into that character.

I certainly hope 'Dragon' can leave some legacy behind.

I love working with older actors because number one, I can learn so much from them because they have so much experience. And it's fun to hear their stories from their era, some of the jokes.

In Hong Kong, particularly, we craft this art for decades. The action choreographer actually is the action director. He takes over and he choreographs with - by himself or with his team, and place the camera where he feels cinematic effect to bring out that choreography.