I don't make comparisons between any movies. I compare characters. All my actions, performances, all my films, they are driven by the characteristic. If I'm playing a cop, then I give him a particular style - I may not know that style, but as an actor I have to be responsible to do your homework and do your research and training and stuff like that.

In Hollywood, I'm lucky, I only do big movies like 'Blade.' It's much more comfortable: you have a trailer.

A period film, where you, for example, where you have a traditional wardrobes, you are bound to act a certain way. But in a modern film, a lot of body gesture.

I have always been a great fan of Peter Chan and many other great directors who specialize in anything outside of action.

When you direct a movie, you're basically looking at a story, the way you want to look at it. You bring that director's vision, and I'm totally open for that.

I spent a couple of years doing American films. I did a few.

For me, I like to have explosive moments, whether it is a particular movement itself in the whole sequence. I like to have shocking moments; for audiences to feel, like, 'Whoa!' It's always been my forte.