Our father taught us such a work ethic that if there's something worth doing, it's worth doing well.

I had a rough spot about being a goody-goody Mormon, and not drinking or smoking. But I'm kind of grateful I've got this image now. There are no skeletons in my closet. What you see is what you get.

I'm going to be true to what I want to do, because if I care what people think about me, I'm a puppet. Which I have been in my life. And you can't live life that way, man!

Love can be so heartless when you turn out the light, a mutual surrender in the heat of the night.

I could play it safe by recording songs that are familiar, but am I expanding myself as an artist by doing covers? It's a catch-22. It's called show business: The word 'business' is in it, and you've got to be a businessman. But then again, you have to be true to yourself as an artist.

You always draw from your roots. I'm influenced by everything I hear and see, and that includes music today, but obviously I go back to my early influences: Stevie Wonder, Parliament, Earth, Wind & Fire, Ohio Players, Average White Band. Those kind of artists are what I look to. When I hear that stuff on the radio, I turn it up!

You're an island no matter what you do. I think it's very dangerous to use popularity as your identity in life. So you have to really know who you are inside, the core person, and follow what is true rather than follow what is hype.