I often feel like a dinosaur. I don't get the technology thing at all. I was on the Internet not long ago for Barnes and Noble, and people were ringing up from all over the world - Australia, Canada, France. I experienced it as an informal chat, which was pleasant, but I couldn't quite take it in. It had a strong element of unreality. I can't be bothered to switch to a computer at my age, though I might get along with e-mail, which sounds appealing.

When you're young you think that you're going to sail into a lovely lake of quietude and peace. This is profoundly untrue.

The current publishing scene is extremely good for the big, popular books. They sell them brilliantly, market them and all that. It is not good for the little books. And really valuable books have been allowed to go out of print. In the old days, the publishers knew that these difficult books, the books that appeal only to a minority, were very productive in the long run. Because they're probably the books that will be read in the next generation.

...She thinks, for the hundredth time, that in their emotional life all these intelligent men use a level so much lower than anything they use for work, that they might be different creatures.

The most exciting periods of literature have always been those when the critics were great.

There's an unconscious bias in our society: girls are wonderful; boys are terrible. And to be a boy, or young man, growing up, having to listen to all this, it must be painful.

I have kept diaries, of course, but they can't be read for quite a long time. I'm always curious about people who are fascinated by writers' lives. It seems to me that we're always in our books, quite nakedly. I wonder, too, does the private life really matter? Who cares what is known about you and what isn't? Even when you make public something that's been private, most people don't get it - not unless they're the same generation and have gone through more or less the same experiences. So, in a sense, we're all private, by definition.