Novels give you the matrix of emotions, give you the flavour of a time in a way formal history cannot.

In the writing process, the more the story cooks, the better. The brain works for you even when you are at rest. I find dreams particularly useful. I myself think a great deal before I go to sleep and the details sometimes unfold in the dream.

[On her mother:] I was in nervous flight from her ever since I can remember anything, and from the age of fourteen I set myself obdurately against her in a kind of inner emigration from everything she represented. Girls do have to grow up, but has this battle always been so implacable?

In university they don't tell you that the greater part of the law is learning to tolerate fools.

Writers, and particularly female writers, have to fight for the conditions they need to work.

But there is no doubt that to attempt a novel of ideas is to give oneself a handicap: the parochialism of our culture is intense. For instance, decade after decade bright young men and women emerge from their universities able to say proudly: 'Of course I know nothing about German literature.' It is the mode. The Victorians knew everything about German literature, but were able with a clear conscience not to know much about the French.

The older I get the more secrets I have, never to be revealed and this, I know, is a common condition of people my age. and why all this emphasis on kissing and telling? Kisses are the least of it.