Our culture is just too comfortable in creating these kind of divisions between culture.

When you make work, the concept is the basis for it; all choices of aesthetics or mediums come later.

I am fascinated by the indecisive moment and the peripheral view.

I really like the idea of banality and repetition being used to generate the image, which are simple and unobstructed and not captivated by composition.

You see someone like maybe William Eggleston. William doesn't even really talk about what he does; he just wants to make these images. He kind of hovers around a location and extracts these images.

I think the idea of embracing the process, creating something, no matter how thin it is, that you can call a starting point - whether it's a word or it's an idea, or it's a little piece of narrative that you might base a film on - starting that journey of making the work. That's also something that every individual does very differently.

I'm not a journalist; I'm probably a horrible interviewer. The one small thing I have is I'm curious, and I'm interested in who I'm with.