I think when the United States of America put a man on the moon in 1969, that was one of the greatest accomplishments mankind has ever done.

It's no secret that my process is a little bit loose and can be a little bit infuriating to a studio if they don't know what they're signing up for.

I pride myself on doing character-driven movies and, when my movies have worked, it's been because of the right casting and the right character, and it just clicks.

At the end of the day, it's still a show about guys who ride extremely fast motorcycles for a living.

The movie I end up with is the movie I aspired to make.

That's why 'The Bourne Identity' has that sort of shaky style, because for the most part, Matt Damon and I were sneaking around Paris and shooting where we didn't have permits.

What I really found was that the one similarity between Covert Affairs and Fair Game is a deep love and admiration and fascination with the home life of a spy.