It's better to find a stunt person who can act. It's easier to do that than to find an actor who can do a stunt.

It's better to find a stunt person who can act. It's easier to do that than to find an actor who can do a stunt.

TV is a safe place to develop real characters.

Once I'm in the editing room, forget about what I intended to shoot. I take a cold, hard look at what I really did shoot, and then I edit that because, if you try to edit what you intended and you missed somewhere, that will show up.

When I'm working on a film, I think about how it will play with a tiny audience of friends whose opinions I respect, basically a 40-bloc radius from my apartment in Manhattan.

It's almost a work-shopping process to create the characters with the actors.

In particular, I'm drawn to the stories that have big, high concepts and real characters at their heart. And I love where those two worlds meet, and 'Edge of Tomorrow' is the perfect canvas to explore that.