The whole concept of 'wild' was decidedly European, one not shared by the original inhabitants of this continent. What we called 'wilderness' was to the Indian a homeland, 'abiding loveliness' in Salish or Piegan. The land was not something to be feared or conquered, and 'wildlife' were neither wild nor alien; they were relatives.

I have spent too much time with my eye glued to the viewfinder and ended up missing both the image of the mind and that on film.

The whole concept of 'wild' was decidedly European, one not shared by the original inhabitants of this continent. What we called 'wilderness' was to the Indian a homeland, 'abiding loveliness' in Salish or Piegan. The land was not something to be feared or conquered, and 'wildlife' were neither wild nor alien; they were relatives.

Dan Brister's book bears witness to the last fifteen years of this bureaucratic madness to tame the last vestige of wild America and domesticate the earth. Leading the resistance is the Buffalo Field Campaign, a brave, dedicated group of activists. This hardy tribe lives out in the cold winters of Yellowstone, risking their freedom and lives to stand by their brown brethren in the hair coats.

Once again...Rick Bass draws us into his magical human worlds, rendered urgently by a hypnotic prose that tracks a parallel and untamed natural world, often with a trace of loss and always patrolled by unmistakable decency. He is a master of this form.

It ain’t wilderness unless there’s a critter out there that can kill you and eat you.

The dangerous temptation of wildlife films is that they can lull us into thinking we can get by without the original models -- that we might not need animals in the flesh.