I looked pretty crazy but at the time, you don't think anything of it. You think, "I've got an amazing job. I'm working and this is cool." I remember I was being fit to go to a premiere for something at Burberry and Christopher Bailey, who designs the clothes there, saw a picture of me and I looked weird. I had short black hair, hardly any eyebrows, I looked very very thin and he went, "We need to put Douglas in a campaign." So four days later, I was shooting a Burberry campaign because he had seen me looking crazy from the show so that was kind of funny.

The script's always important, but there are some things that have come out in the past year that, when we read them, everyone was like, "Oh my god, this is going to be the next best thing!" Then the movie falls completely flat on its face.

[London is] one of the best cities in the world. There is just so much culture there and so much history and so much diversity. It's just a perfect place to grow up. I studied at the Guildhall every Saturday so I'd always be in town every weekend doing that. I was kind of a city boy really.

I'd love to work with Paul Thomas Anderson or Quentin Tarantino, but these are dreams I don't need to rush to achieve. I'll be ready to make those movies when I'm ready to make those movies and they're ready to make them with me, if they ever want to.

For the moment, whenever I read, it is normally scripts. You start a book and then you think, 'I should be reading these five scripts.

I love to ride horses. I've ridden since I was a kid so I got to do some riding, which was a lot of fun. But most of the stunts were left to the girls. It's the girls rescuing the guys mostly. So it was kind of really kick-ass, girl power. It was wonderful to watch. It was particularly sexy. They would come in and just slay in these choreographed pentagram of death fight scenes. It was pretty impressive.

I was lucky enough to get a very good agent at the age of 15, and got my first film when I was 16, so it's been rolling on since then.